Birgitte Stærnes, violin    Martin Haug, guitar

Forside Anmeldelser Musical Opinion - Birgitte Stærnes og Jorunn Marie Bratlie

Musical Opinion - Birgitte Stærnes og Jorunn Marie Bratlie

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C O N C E R T R E V I E W S

Birgitte Stearnes at the Wigmore Hall

 

Confidence abounded during Norwegian

violinist Birgitte Stearnes’ recital at                                                                    

the Wigmore Hall on 2 May, partnered

magnificently by pianist Jorunn Marie

Bratlie. The intensity of Grieg’s nationalistic

instincts never wavered in her performance

of his G major Sonata, its contrasting

sections sensitively portrayed.

The Allegretto tranquillo opened sweetly,

whilst a furiously fast episode tried in vain

to lift the mood as the reposeful tranquillo

regained its lingering power through Stearnes’

delightfully sonorous etching before plenty

of character drove the Allegro animato

forward, Bratlie providing a powerful yet

evocative accompaniment.

Christian Sinding, who lived from

1856 to 1941, is one of those composers

we rarely hear on the platform, although

an earlier generation found much of his

music ideal for musical evenings at home.

Stearnes’ championing of perhaps Norway’s

most accomplished composers for the

violin proved the point with three simply

amazing works that ought to have every

violinist worth their salt rushing out to

buy and play them! Stearnes’ moving accounts

of the Opus 9 Romance, the Prélude to the

group in Opus 43 and the three-movement

A minor Suite Opus 10, were all eyeopeners

and ear delighters. Playing these

works from memory showed a clear affinity

with the pieces and the composer, the

Romantic essence oozing from the violin

with an utter expanse of a noble and

enduring Norwegian spirit. I thoroughly

recommend a recording of these fascinating

and stimulating Sinding works performed

so wonderfully by this duo, on the

Norwegian label MTG’s CD 54446.

An interval gave time to breathe before

Richard Strauss’ Violin Sonata in found

the piano supporting its symphonic posturing,

while the sweep of its Romantic

ideas produced fully blown and deeply

penetrating episodes. The Andante cantabile

was effortless in its transformation of the

delicious idiomatic themes. Here was a

performance invested with plenty of

emotional power.

Superb performances from Stearnes and

Bratlie all round; Norway should be

proud of them. DAVID ALKER

 

 

See the original review here

Sist oppdatert ( søndag 08. mars 2009 09:12 )